World Premiere of Rightist Mushrooms (2019) in Kulturpalast Dresden by AuditivVokal (Nov. 9, 2019)
Information
Kingyo Obsession (2017)
日本語:金魚オブセッション
for four voices or choir (SATB)
Commissioned by Soundstreams (Canada)
ca. 5 min.
Interviews, Talks, and Press
Interviews, Talks, and Press
Interviews, Talks, and Press
composer | sound artist
fiddle
Information
fiddle (2014)
for String Quartet
ca. 8 min.
Awards and Honors
First Prize, 2016 Malta International Composition Competition (Malta)
2017 SEM Emerging Composers Workshop Call for Scores (USA)
28th International Review of Composers Call for Scores (Serbia)
Kaleidoscope Call for Scores 2020 Finalist (USA)
Program Note
I find myself standing in a small room; dark enough for my eyes to have to take some time to start seeing where I am. I see mirrors of every size cloak the walls, the ceiling, and the floor, reflecting endlessly in all directions. At the heart of the room rests a delicate wind-up toy of a ballerina, poised and waiting in a perfect suspended animation. I take three steps forward and kneel to wind the toy’s spring. Slowly and methodically, the ballerina begins to twirl clockwise.
I place her on the floor, watching her steady herself as I retreat. To my astonishment, her spin quickens, the rhythm tightening into a ceaseless spiral. The same brief motif loops over and over, each cycle locking into the next, as if chasing its own tail. Across every mirror in the room, the ballerina multiplies - her spinning reflections whirling faster and faster, each an echo of the other, lost in perpetual motion.
On Composition
The inspiration for "fiddle" first struck me after encountering J.J. Grandville’s 19th-century work "Apocalypse du ballet", where a ballerina spins to transform continuously, unfolding in disorienting, dream-like beauty. In "fiddle", the repetition of a single motif becomes the essence - a fixation where even the smallest variation or an unexpected silence feels like an accent, a shift that disrupts the trance.
In 2016, "fiddle" was awarded First Prize at the Malta International Composition Competition and later published by United Music & Media Publishers (Belgium).
Past Performances
June 22, 2014 (World Premiere)
Chatori Shimizu Portrait Concert 2014
Ryogoku Monten Hall, Tokyo, Japan
Quartet Pienno: Kaho Orido (Vn. I), Kasumi Sakakibara (Vn. II), Vla. Kengo Naito, Vc. Akira Sato)
April 16, 2016 (US Premiere)
Project ONKYO
Issue Project Room Space, New York, NY
Mivos Quartet: Olivia De Prato (Vn. I), Marco Fusi (Vn. II), Victor Lowrie (Vla.), Mariel Roberts (Vc.)
May 15, 2016 (Puerto Rico Premiere)
De Japón A Puerto Rico
Conservatorio de Música, San Juan, Puerto Rico
Cuarteto de Cuerdas Areté: Danira Rodriguez (Vn. I), Nayomi Lozano (Vn. II), Miguel Gonzales (Vla.), Diego F. Marrero (Vc.)
Feb. 16, 2017
New Works by Emerging Composers
Willow Place Auditorium, New York, NY
S.E.M Ensemble: Pauline Kim Harris (Vn I), Robyn Quinnett (Vn. II), Bryla-Weiss (Vla.), Caleb van der Swaagh (Vc.)
Oct. 7, 2019
28th International Review of Composers
Composers' Association of Serbia, Belgrade, Serbia
Tijana Milošević (Vn I), Ksenija Milošević (Vn II), Boris Brezovac (Vla.), Nemanja Stanković (Vc.)