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Critiquing the Unfamiliar: Cultural Sensitivity and Music Appreciation (c) IMD / Kristof Lemp

On Culture

台湾にいったい何があるというんですか? (2024) [日本語🔗]

↪︎What in the World Can I Find in Taiwan? [English

Critiquing the Unfamiliar: Cultural Sensitivity and Music Appreciation (2023) [English]

On Culture and Music: A Discourse with Helmut Lachenmann (2022) [English]

On Expression 

インタビュー・清水チャートリー (2024) [日本語🔗]

晴れ時々甲虫(カブトムシ) (2024) [日本語🔗]

↪︎Sunny with a Chance of Beetle [English]

Talking Darmstadt Ep. 04: Chaya Czernowin on Heart Chamber (2023) [English]

ポスト作曲時代:塩田千春作品を聴く (2021) [日本語]

↪︎The Post-Composition World: Listening to Shiota Chiharu’s Works [English]

Shō in New Music 

Shō in New Music: Thoughts on Cultural Labels on Compositions (2021) [read]

Shō in New Music: Perspectives on Japanese Instruments from Academia (2021) [read]

Shō in New Music: "Traditional" Resonance in Improvised Music (2020) [read]

Shō in New Music: Study on Cultural Appropriation (2020) [read]

Shō in New Music: Acoustic Analysis and Composition (2020) [read]

Shō in New Music: Time Identity and Notation (2020) [read]

Pedagogy

SEED 2021:バーチャル作曲アカデミーを終えて(2021) [日本語]

↪︎SEED 2021: Virtual Composition Academy [English]

A Study on Japanese Instrumental Training Methods for Non-Japanese Students: Cases of Columbia University Mentor/Protégé Program (Gagaku) (2019) [read]

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